Saturday, June 11, 2011

Building a New World... on Sand & Frond


How great were the summer vacations of yesteryears. All the children would retreat to their grandparents' place. Kids of the colony would get together and play the entire day regardless of the scorching heat. The children playing ‘mane aata,’ setting up homes and, in it, kitchens with miniature kitchen sets. Those games would be like dramas without scripts. The street was their stage and the story would weave itself with each passing minute. Kids would imitate their parents, uncles and aunts, grandparents and drown in their own magical world where anything was possible and they could be anybody they admire.
Now we just look back at those days and wonder where they have disappeared. With TV entering not just halls but also bedrooms and computers & video games becoming a part and parcel of daily life, children barely know of these games. Also, a variety of summer camps, coaching classes, tuitions etc., have started mushrooming to keep kids busy even during their vacations. Parents look out for those camps which will keep their wards most occupied. And the most shocking feature of the camps is that they even give children homework! Though there is nothing wrong with the camps, it is depriving the children of those innocent games which is by itself a learning process and creates a whole new world for them.
However, while walking down the streets of Saraswathipuram, we came across a bunch of kids who were spending their vacations in a different way. Cousins Dinakar Nandakishore and K.R. Madhukeshwar, 5th std. students of Amrita Vidyalayam, build a different kind of ‘house’ every day using whatever little items they may find, but with a whole lot of imagination and creativity. The foundation and flooring for these houses is the sand pit located in front of their house. If one day it looks like a tent, the other day the house goes ‘green’ with coconut fronds and the next day it looks like a temple.
The Foursome.
"During PE class in school, instead of playing football we would make teams and build houses at a sand heap located near our school. Whoever would complete before the class got over or who ever built the biggest structure would be the winner. That is when we got the idea to do the same here," say the cousins.
The duo are occasionally joined by cousins Tejas, 7th std. and Adithi, 2nd std. of Bangalore and Mumbai respectively, who have come down to their grandparents home in the same area.
Their first construction was using coconut fronds put up in the form of a tent. It started with just one frond and then they started collecting some more to make their tent better. Later on they started using wooden slabs and plastic sheets. Once the kids even went to the extent of buying chocolates from a nearby shop and started selling the same to passersby at their tent. However, on their parents advice, these little ‘entrepreneurs’ had to stop their ‘business.’
When asked if they prefer summer camps or what they were doing now, Madhu-keshwar said "In camps we have to do whatever they ask us to. But here we do what we like. That is why I did not join any camp. I don’t like restrictions. Here we can spend the entire day making different kinds of tents."
It is surprising to see that such a culture still exists among the children of this generation. At a time when parents scold kids for even playing in sand and soiling their clothes, these little 'architects-cum-builders' are attracting other children like them to join hands and just have some fun.
Children are by nature innocent. Let us not take away this innocence by introducing them to more of computer, TV, video games and other such distractions. This age once lost will never come back. So do allow kids to be kids.

(Published in Star of Mysore dated May 28, 2011)

Creating Beautiful Strokes With Knife


Artist Satyanarayan at work.
With a number of art exhibitions being organised in the recent days in city, its citizens have been introduced to almost all types of paintings, ranging from abstract to traditional, contemporary to tribal and folk, etc. Each artist brings along a fresh style, a different theme and something new to share with the people. City artist Satyanarayan is also organising an exhibition of his work consisting of a very unique style of painting involving knife work.

Knife painting by Satyanarayan.

Speaking about his style, Satyanarayan said "The purpose of an artist’s work is that his work should not be reproduced in any other medium by others. This is expected from every artist. Hence I selected knife painting as it is almost impossible to replicate the work. The patterns you get with knife painting are very different from paint brush. With brushes you get a very smooth and soft finish. It's not the same with knife. Also such strokes cannot be done using computer and software. If you observe the paintings it is not easy to copy the shades and strokes done using knife. It has various colour dimensions. My paintings consist of just 30% brush work and 70% is done using knife and takes around two days to complete one painting."

Knife painting by artist Satyanarayan.
Born on 4th Oct, 1959, Satyanarayan started working full-time at Ratnam Arts in city when he was in 5th std. While he was working there many senior artists from CAVA and other institutions would visit the place. They constantly advised him to concentrate on painting academically also. When he was 14-years-old, Satyanarayan shifted to Bangalore and joined CM Ram Arts. He would make cinema banners and cut-outs and worked as an assistant to senior artists like C.V. Ambaji, Ramchandran, Narasimhan and others. It was they who introduced him to knife work. He has also worked at Mumbai, Kerala and Chennai and returned to Mysore in 2000.

Knife painting tools.
A resident of Vidyaranyapuram in city, Satyanarayan has participated in many group shows in Bangalore and conducted classes and demos for students there. Also, in one of his exhibitions held in city in 2002, he introduced a new form called digital art.
Portraits of former Mysore Mayor Sandesh Swamy.
Speaking about his upcoming expo, Satyanarayan said "In this exhibition I am concentrating on our culture and tradition. The paintings depict temples and our everyday chores, rural life and our customs."
Presently working at Art Media in Nazarbad in city, Satyanarayan has painted two life-like portraits of former Mayor Sandesh Swamy which look no less than an actual photograph. Apart from this, he has also painted portraits of poets which now adorn the walls in Kalamandira and an 8-ft portrait of Swami Vivekananda at Sadvidya Patashala way back in 1991.
Contact Satyanarayan on Mob: 9480477044.


(Published in Star of Mysore dated June 1, 2011)

Saturday, June 4, 2011

Sir James Gordon... A Statue Sans Maintenance


Sir James Davidson Gordon
The Deputy Commissioner’s Office is one among the many heritage buildings of Mysore. The foundation stone for the building was laid on June 20, 1887 and formally opened in 1895. It was built in memory of Sir James Gordon and his statue was installed in the midst of the rose garden in front of the imposing DC office.
Son of Evelyn Meadows, Sir James Davidson Gordon was born on 1835. He joined the Civil Service in lower Bengal in 1854. He was the Private Secretary to Governor Gen. Lord Lawrence from 1866 to 73. In 1873, he became the Judicial Commissioner of Mysore, the Chief Commissioner in 1878 and Resident of Mysore from 1881 to 1882.
Also, he was the guardian to Chamaraja Wadiyar from 1871 to 1873. Sir Gordon retired in 1883 and died on June 27, 1889. He was awarded the title of CSI in 1866 and KCSI in 1881.
The DC Office
When Sir Gordon was serving as the Chief Commissioner, Chamaraja Wadiyar was the heir to the throne. Since the Wadiyar was still a minor and could not rule, Sir Gordon took care of his education and guided him with the administration. After he became the King, Gordon continued to guide him and taught him about being a leader of the masses. Sir Gordon also struggled for the welfare of the Anglo-Indian community.
The bronze statue of Sir Gordon, with a dagger in one hand and a hat in the other, though poorly maintained, stands as a testimony to time and adds beauty to this office of power.

(Published in Star of Mysore dated June 2, 2011)